Dear Akshay,
At the end of our master's course together, you handed me a book by Kiran Desai called 'Hullabaloo in the Guava Orchard' with a characteristically-you, succinct, "Here's some sunshine for your life" note inside it. The cover intrigued me - a cartoon-y tree with the dangling legs of a person dropping into the frame from above. I didn't give it much thought when I started reading.
I began with no real expectations in mind - just the blind trust that you know me well enough to gift me a book I'd like regardless of its contents or genre. But then again, everything you do seems to stem from either purpose or reason, and I was secretly searching for either/or at the back of my mind as I progressed through the pages.
Kiran Desai's writing painted pictures of the mundane. She described sarees, food and the idle thoughts of a government employee with just the right number of adjectives and similes. She described each character in such delicious interwoven detail, that I was five chapters in with no clue about where the story was headed.
I took a break from the book for a while, shortly after Sampath, the head-in-the-clouds protagonist, let the characters of his reality into his mind for a quick peak, swiftly resulting in his routine life falling apart. This was also around the time I got sidetracked with work, travels and The Talking Ape. When I finished with that book, I got back to Sampath. Before I knew it, he was running further away from the life he had been thrown out of. He was literally running, with his dysfunctional family in close pursuit, up into a guava tree. The book's title began falling into place. While I was still skeptical about whether the bizarre events unfolding were happening in his head or in the book's real world of small-town Shahkot, I began relishing it.
I'm usually cynical when a book takes off on multiple tangential narratives as fillers for space and time, but this book did it brilliantly. It was so stuffed with characters and tales and little off-road, supporting stories, that I found it hard to stop reading once Sampath (and his paraphernalic-family) had set up shop in the guava orchard. I found it even harder to stop reading when the pages parted to make way for a notorious troop of monkeys, and irrevocably glued when the primates developed a taste for alcohol (there, I found my reasons*).
The book and its people danced in my head. You're teaching me to fall in love with good Indian writing - stories embedded deeply in intrinsically desi themes and characters. Having that added layer of relatability is exciting, and in a way, allows my imagination to create visuals with a lot more accuracy than if I were painting into place the extravagant lawns of Blandings Castle from a Wodehouse novel.
Never stop giving me your tried-and-tested book titles to read. So far, so very good.
Love always,
Ishika
*People I interviewed for my research work told me that monkeys would occasionally polish-off the left over bits of whiskey and rum in bottles from wine shops around Great Nicobar. The macaques would then either raid homes with a markedly lower sense of risk, or simply fall asleep. Upon hearing this, a certain Forest Department employee (only half jokingly) suggested we use alcohol as a mitigation measure against human-macaque conflict. Ah the colourful aspects of working with primates.
At the end of our master's course together, you handed me a book by Kiran Desai called 'Hullabaloo in the Guava Orchard' with a characteristically-you, succinct, "Here's some sunshine for your life" note inside it. The cover intrigued me - a cartoon-y tree with the dangling legs of a person dropping into the frame from above. I didn't give it much thought when I started reading.
I began with no real expectations in mind - just the blind trust that you know me well enough to gift me a book I'd like regardless of its contents or genre. But then again, everything you do seems to stem from either purpose or reason, and I was secretly searching for either/or at the back of my mind as I progressed through the pages.
Kiran Desai's writing painted pictures of the mundane. She described sarees, food and the idle thoughts of a government employee with just the right number of adjectives and similes. She described each character in such delicious interwoven detail, that I was five chapters in with no clue about where the story was headed.
I took a break from the book for a while, shortly after Sampath, the head-in-the-clouds protagonist, let the characters of his reality into his mind for a quick peak, swiftly resulting in his routine life falling apart. This was also around the time I got sidetracked with work, travels and The Talking Ape. When I finished with that book, I got back to Sampath. Before I knew it, he was running further away from the life he had been thrown out of. He was literally running, with his dysfunctional family in close pursuit, up into a guava tree. The book's title began falling into place. While I was still skeptical about whether the bizarre events unfolding were happening in his head or in the book's real world of small-town Shahkot, I began relishing it.
I'm usually cynical when a book takes off on multiple tangential narratives as fillers for space and time, but this book did it brilliantly. It was so stuffed with characters and tales and little off-road, supporting stories, that I found it hard to stop reading once Sampath (and his paraphernalic-family) had set up shop in the guava orchard. I found it even harder to stop reading when the pages parted to make way for a notorious troop of monkeys, and irrevocably glued when the primates developed a taste for alcohol (there, I found my reasons*).
The book and its people danced in my head. You're teaching me to fall in love with good Indian writing - stories embedded deeply in intrinsically desi themes and characters. Having that added layer of relatability is exciting, and in a way, allows my imagination to create visuals with a lot more accuracy than if I were painting into place the extravagant lawns of Blandings Castle from a Wodehouse novel.
Never stop giving me your tried-and-tested book titles to read. So far, so very good.
Love always,
Ishika
*People I interviewed for my research work told me that monkeys would occasionally polish-off the left over bits of whiskey and rum in bottles from wine shops around Great Nicobar. The macaques would then either raid homes with a markedly lower sense of risk, or simply fall asleep. Upon hearing this, a certain Forest Department employee (only half jokingly) suggested we use alcohol as a mitigation measure against human-macaque conflict. Ah the colourful aspects of working with primates.
